{"id":269,"date":"2011-12-08T10:16:59","date_gmt":"2011-12-08T10:16:59","guid":{"rendered":"https:\/\/saskiaasser.nl\/?page_id=269"},"modified":"2024-12-19T20:51:31","modified_gmt":"2024-12-19T20:51:31","slug":"publicaties","status":"publish","type":"page","link":"https:\/\/saskiaasser.nl\/?page_id=269","title":{"rendered":"Publicaties"},"content":{"rendered":"\n<p>Een selectie van boeken, artikelen en overige publicaties.<\/p>\n\n\n\n<p><em>A selection of books, essays and other publications.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Boeken \/ Books<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"848\" height=\"1024\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/994x1200-848x1024.jpg\" alt=\"\" class=\"wp-image-2231\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/994x1200-848x1024.jpg 848w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/994x1200-249x300.jpg 249w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/994x1200-768x927.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/994x1200.jpg 994w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em><a href=\"https:\/\/www.nai010.com\/product\/pioniers\/\" data-type=\"link\" data-id=\"https:\/\/www.nai010.com\/product\/pioniers\/\">Pioniers &#8211; Fotografie door vrouwen \/ Pioneers &#8211; Photography by Women<\/a><\/em>, Rotterdam (NAI010) 2024.<\/p>\n\n\n\n<p>Met\/With: Elwin Hendrikse<\/p>\n\n\n\n<p>Design: Els Kerremans<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen-1024x683.jpg\" alt=\"\" class=\"wp-image-1936\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen-1024x683.jpg 1024w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen-300x200.jpg 300w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen-768x512.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen-1536x1024.jpg 1536w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/Boek-Bernd-Hilla-en-de-anderen.jpg 1600w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em><a href=\"https:\/\/www.bartdehaas.nl\/werk\/bern-hilla-en-de-anderen\/\" target=\"_blank\" rel=\"noopener\">Bernd, Hilla en de anderen. Fotografie uit D\u00fcsseldorf \/ Bernd, Hilla and the Others. Photography from D\u00fcsseldorf<\/a><\/em>, Amsterdam (Huis Marseille) 2018.<\/p>\n\n\n\n<p>Met\/With: Barbara Hoffmann-Johnson<\/p>\n\n\n\n<p>Design: Bart de Haas<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2238\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1-1024x683.jpg 1024w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1-300x200.jpg 300w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1-768x512.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1-1536x1024.jpg 1536w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/13-31-web-1800x1200-1.jpg 1800w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em><a href=\"https:\/\/snitker.nl\/project\/first-light\/\" data-type=\"link\" data-id=\"https:\/\/snitker.nl\/project\/first-light\/\">First Light. Fotografie &amp; Astronomie \/ Photography &amp; Astronomy<\/a>, <\/em>Amsterdam (Huis Marseille\/Architectura &amp; Natura Press) 2010.<\/p>\n\n\n\n<p>Met\/With: Huib Henrichs<\/p>\n\n\n\n<p>Design: Micha\u00ebl Snitker<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"284\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Kinsbergen-def.jpg\" alt=\"\" class=\"wp-image-288\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em><a href=\"https:\/\/www.pietgerards.nl\/05fotografiefilm\/05-10.html\" data-type=\"link\" data-id=\"https:\/\/www.pietgerards.nl\/05fotografiefilm\/05-10.html\">Isidore van Kinsbergen (1821-1905). Theatermaker en fotopionier in Nederlands-Indi\u00eb \/ Photo Pioneer and Theatre Maker in the Dutch East Indies<\/a><\/em>, Zaltbommel\/Leiden (Aprilis\/KITLV Press) 2005.<\/p>\n\n\n\n<p>Met\/With: Gerda Theuns-de Boer<\/p>\n\n\n\n<p>Design: Piet Gerards<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"252\" height=\"284\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Keizer-def.jpg\" alt=\"\" class=\"wp-image-295\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em><a href=\"https:\/\/www.pietgerards.nl\/05fotografiefilm\/05-8.html\" data-type=\"link\" data-id=\"https:\/\/www.pietgerards.nl\/05fotografiefilm\/05-8.html\">De keizer in beeld. Wilhelm II en de fotografie als PR-instrument \/ Der Kaiser im Bild. Wilhelm II und die Fotografie als PR-Instrument<\/a><\/em>, Zaltbommel (De Europese Bibliotheek) 2002.&nbsp;<\/p>\n\n\n\n<p>Met\/With: Liesbeth Ruitenberg<\/p>\n\n\n\n<p>Design: Piet Gerards<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"248\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Hofer-def.gif\" alt=\"\" class=\"wp-image-293\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>Hier groeien boeken uit de grond. Nederlandse bibliotheken en bibliothecarissen gefotografeerd door Candida H\u00f6fer en Bert Nienhuis \/ Dutch Libraries and Librarians photographed by Candida H\u00f6fer and Bert Nienhuis<\/em>, Amsterdam (Huis Marseille\/De Bataafsche Leeuw) 2004. <\/p>\n\n\n\n<p>Met\/With: Els Barents<\/p>\n\n\n\n<p>Design: Bart de Haas<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Artikelen \/ Essays<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"700\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/maxresdefault.jpg\" alt=\"\" class=\"wp-image-2254\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/maxresdefault.jpg 493w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/maxresdefault-211x300.jpg 211w\" sizes=\"auto, (max-width: 493px) 100vw, 493px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Complex Messages from an Archive of Our Age&#8217;<\/p>\n\n\n\n<p>Arnoud van Dommele  (ed.), <em>World Press Photo 2021<\/em>, Amsterdam\/Tielt (Stichting World Press Photo\/Lannoo Publishers), 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"243\" height=\"320\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/photoq-bookshjop-zilveren-camera-2018-cover.jpg\" alt=\"\" class=\"wp-image-1738\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/photoq-bookshjop-zilveren-camera-2018-cover.jpg 243w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2021\/01\/photoq-bookshjop-zilveren-camera-2018-cover-228x300.jpg 228w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Geen vermomde hyena&#8217;s. Onderzoek naar de geschiedenis van de Nederlandse fotojournalistiek&#8217;<\/p>\n\n\n\n<p><em>70 Jaar Zilveren Camera<\/em>, Amsterdam (Stichting De Zilveren Camera) 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"1000\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/61NkI3bwTaL._AC_UF8941000_QL80_.jpg\" alt=\"\" class=\"wp-image-2256\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/61NkI3bwTaL._AC_UF8941000_QL80_.jpg 708w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/61NkI3bwTaL._AC_UF8941000_QL80_-212x300.jpg 212w\" sizes=\"auto, (max-width: 708px) 100vw, 708px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Het Leven Ge\u00efllustreerd: roemrucht tijdschrift uit het Interbellum&#8217;<\/p>\n\n\n\n<p>Rob Moorees, <em>Life is Strange<\/em>, Rotterdam\/Amsterdam (nai010\/Huis Marseille) 2015.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"1024\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/H18799-L255784736-689x1024.jpg\" alt=\"\" class=\"wp-image-2251\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/H18799-L255784736-689x1024.jpg 689w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/H18799-L255784736-202x300.jpg 202w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/H18799-L255784736-768x1141.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/H18799-L255784736.jpg 1000w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Early Days&#8217;<\/p>\n\n\n\n<p>Mattie Boom &amp; Hans Rooseboom (ed.), <em>New Realities. Photography in the 19th Century<\/em>, Amsterdam (Rijksmuseum) 2017.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"254\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Zonlicht-def.jpg\" alt=\"\" class=\"wp-image-304\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018De daguerreotypie: een perfecte spiegel met geheugen\u2019<\/p>\n\n\n\n<p>Johan de Zoete (red.), <em>\u2018In het volle zonlicht\u2019. De daguerreotypie\u00ebn van het Museum Ensched\u00e9 te Haarlem<\/em>, Haarlem (Koninklijke Joh. Ensched\u00e9\/Gottmer) 2009.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1-1024x683.jpg\" alt=\"\" class=\"wp-image-2241\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1-1024x683.jpg 1024w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1-300x200.jpg 300w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1-768x512.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1-1536x1024.jpg 1536w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/P1030960-1600x1067-1.jpg 1600w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Fake but Accurate&#8217;<\/p>\n\n\n\n<p>Met\/With: Els Barents<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.bartdehaas.nl\/werk\/fake-but-accurate-edwin-zwakman\/\" data-type=\"link\" data-id=\"https:\/\/www.bartdehaas.nl\/werk\/fake-but-accurate-edwin-zwakman\/\">Edwin Zwakman: Fake but Accurate<\/a><\/em>, M\u00fcnchen\/Amsterdam (Schirmer-Mosel\/Huis Marseille) 2008. <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/Teunissen-def.jpg\" alt=\"\" class=\"wp-image-2249\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/Teunissen-def.jpg 378w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/Teunissen-def-300x238.jpg 300w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Domestic Landscapes&#8217;<\/p>\n\n\n\n<p><em><a href=\"https:\/\/bertteunissen.com\/books\/domestic-landscapes-a-portrait-of-europeans-at-home\/\" data-type=\"link\" data-id=\"https:\/\/bertteunissen.com\/books\/domestic-landscapes-a-portrait-of-europeans-at-home\/\">Bert Teunissen: Domestic Landscapes. A Portrait of the Europeans at Home<\/a><\/em>, New York (Aperture) 2007.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"273\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Dutch-Eyes-def.jpg\" alt=\"\" class=\"wp-image-311\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018Fotografie in Nederland in de negentiende eeuw: een nieuwe kunst, een nieuw beroep\u2019<\/p>\n\n\n\n<p>Met\/With: Mattie Boom &amp; Hans Rooseboom<\/p>\n\n\n\n<p><em>Dutch Eyes. Nieuwe geschiedenis van de fotografie in Nederland \/ A Critical History of Photography in the Netherlands<\/em>, Zwolle (Waanders) 2007.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Paradise-def.jpg\" alt=\"\" class=\"wp-image-306\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018Reports on the Exhibition of the Works of Industry of All Nations\u2019 <\/p>\n\n\n\n<p>Sheila J. Foster, Manfred Heiting, Rachel Stuhlman, <em>Imagining Paradise. The Richard and Ronay Menschel Library at George Eastman House<\/em>, Rochester, NY\/G\u00f6ttingen (George Eastman House\/Steidl) 2007.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"214\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Familie-in-Beeld-Tryntsje.jpg\" alt=\"\" class=\"wp-image-314\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018Een \u2018onmiskenbaar treffende Gelijkenis\u2019. De familie Vriesendorp gedaguerreotypeerd\u2019 <\/p>\n\n\n\n<p>Maartje van den Heuvel, Moniek Peters, Reinout Vriesendorp (ed.), <em>Familie in Beeld. Vriesendorp uit Dordrecht<\/em>, Dordrecht (Familie-Vereeniging Vriesendorp) 2007.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"396\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Nieweg-def.jpg\" alt=\"\" class=\"wp-image-297\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Nieweg-def.jpg 396w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Nieweg-def-300x227.jpg 300w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>&#8216;Simone Nieweg: Klassisch und nie gek\u00fcnstelt&#8217;<\/p>\n\n\n\n<p>Met\/With: Els Barents<\/p>\n\n\n\n<p><em>Simone Nieweg: Landschaften und Gartenst\u00fccke, Photographien<\/em>, M\u00fcnchen (Schirmer\/Mosel) 2002.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Wetenschappelijk \/ Academic<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-724x1024.jpg\" alt=\"\" class=\"wp-image-2265\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-724x1024.jpg 724w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-212x300.jpg 212w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-768x1087.jpg 768w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-1085x1536.jpg 1085w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-1447x2048.jpg 1447w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/cover_issue_55_en_US-scaled.jpg 1809w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><a href=\"https:\/\/tmgonline.nl\/55\/volume\/25\/issue\/1\" data-type=\"link\" data-id=\"https:\/\/tmgonline.nl\/55\/volume\/25\/issue\/1\">Photojournalism and the Archive: From Analogue to Digital<\/a>, Special Issue of <em>TMG Journal for Media History<\/em> 25 (2022) 1<\/p>\n\n\n\n<p>Gastredacteur met \/ Guest editor with: Thomas Smits<\/p>\n\n\n\n<p>Bijdragen\/Contributions:<\/p>\n\n\n\n<p><a href=\"https:\/\/tmgonline.nl\/articles\/10.18146\/tmg.818\" data-type=\"link\" data-id=\"https:\/\/tmgonline.nl\/articles\/10.18146\/tmg.818\">&#8216;Spaarnestad: Biography of an Analogue Archive&#8217;<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/tmgonline.nl\/articles\/10.18146\/tmg.829\" data-type=\"link\" data-id=\"https:\/\/tmgonline.nl\/articles\/10.18146\/tmg.829\">&#8216;The Great Unseen. Photojournalism and the archive: from analogue to digital&#8217;<\/a> (met\/with: Thomas Smits)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"203\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Dordrecht-ro-def.jpg\" alt=\"\" class=\"wp-image-321\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018De grootvader van Top Naeff en andere daguerreotypieportretten van de familie Vriesendorp\u2019 <\/p>\n\n\n\n<p>Cees Esseboom (ed.), <em>Deze schoone kunst. Dordrecht en de fotografie in de negentiende eeuw<\/em>, Dordrecht (Historische Vereniging Oud-Dordrecht) 2006.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"214\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Bulletin-2005-def.jpg\" alt=\"\" class=\"wp-image-323\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><a href=\"http:\/\/www.jstor.org\/stable\/40383579\" target=\"_blank\" rel=\"noopener\">\u2018A handsome &amp; highly finished present. Foto\u2019s voor de juryrapporten van de Great Exhibition, 1851\u2019<\/a><\/p>\n\n\n\n<p><em>Bulletin van het Rijksmuseum<\/em> 53 (2005) 2.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"210\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Bulletin-2000-def.jpg\" alt=\"\" class=\"wp-image-329\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><a href=\"http:\/\/www.jstor.org\/stable\/40383219\" target=\"_blank\" rel=\"noopener\">\u2018Rembrandt in fotografische staat: Charles Blanc, Bisson fr\u00e8res en L\u2019\u0152uvre de Rembrandt reproduit par la photographie, 1853-1858\u2019<\/a><\/p>\n\n\n\n<p><em>Bulletin van het Rijksmuseum<\/em> 48 (2000) 3.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"211\" height=\"300\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2011\/12\/Beelden-in-veelvoud-def.gif\" alt=\"\" class=\"wp-image-325\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u2018Photogrammen in roode omslagen. Adolphe Braun &amp; Cie in het Rijksmuseum\u2019 <\/p>\n\n\n\n<p>Met\/With: Robert Verhoogt<\/p>\n\n\n\n<p>Nelke Bartelings et al, <em>Beelden in veelvoud. De vermenigvuldiging van het beeld in prentkunst en fotografie. Leids Kunsthistorisch Jaarboek<\/em>, Leiden 2002.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Redacteur \/ Editor<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"837\" src=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/2-Memory-is-the-only-paradise.jpg\" alt=\"\" class=\"wp-image-2271\" srcset=\"https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/2-Memory-is-the-only-paradise.jpg 650w, https:\/\/saskiaasser.nl\/wp-content\/uploads\/2024\/12\/2-Memory-is-the-only-paradise-233x300.jpg 233w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>Rijksmuseum Studies in Photography<\/em>, volumes 17-21, Amsterdam: Rijksmuseum\/Manred &amp; Hanna Heiting Fund, 2016-2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Een selectie van boeken, artikelen en overige publicaties. A selection of books, essays and other publications. Boeken \/ Books Pioniers &#8211; Fotografie door vrouwen \/ Pioneers &#8211; Photography by Women, Rotterdam (NAI010) 2024. Met\/With: Elwin Hendrikse Design: Els Kerremans Bernd, Hilla en de anderen. Fotografie uit D\u00fcsseldorf \/ Bernd, Hilla and the Others. Photography from &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/saskiaasser.nl\/?page_id=269\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Publicaties&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-269","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/pages\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=269"}],"version-history":[{"count":161,"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/pages\/269\/revisions"}],"predecessor-version":[{"id":2295,"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=\/wp\/v2\/pages\/269\/revisions\/2295"}],"wp:attachment":[{"href":"https:\/\/saskiaasser.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}